Revista dels Xiuxiuejos de Piath
Música de Piath
Prayer
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Prayer

This prayer is an intimate dialogue between a son and a Father who is at once origin, light, and creative consciousness. It is not merely a plea; it is an act of waiting.

The candles that “continued to burn” symbolize inner perseverance. A light is kept alive while waiting for “just one phoneme.” No speech is requested, no grand revelation, but a single phoneme: the smallest unit of language. This is deeply significant. The son does not ask for a theory or a doctrine; he asks for a primordial sound, a minimal vibration that contains meaning. It evokes the idea of the creative “Word,” that initial sound from which existence symbolically unfolds.

This phoneme will be “divine,” “close to silence.” The true revelation, then, is not loud or spectacular, but subtle. It is a sound that almost dissolves into silence, sweet and tender, capable of embracing the remains of the self, the broken parts, the fragilities, what is left after the storms. The divine language here is not command or judgment; it is an embrace.

When the text speaks of the “Father’s womb,” there is an interesting inversion: the Father is also a womb, a gestating origin. This suggests a God who does not merely create from outside, but engenders from within, like a loving source. The “light-made phoneme,” compared to the light of a supernova, unites delicacy and immensity: the smallest element (a sound) contains the vastness of cosmic explosion. It poetically suggests that the origin of everything is vibration, word, light.

The reference to the seventh day, the rest after creation, introduces contemplation. The Father not only creates; He observes and is moved by His creation. The creative power is not distant or cold, but emotionally engaged. From this springs “continuous beams of love and freedom”: love and freedom as a constant radiation from the source.

The voice of the son, “Your son”, presents itself as a learner. He does not claim wisdom or possession of truth; he expresses a desire to listen and to follow the path laid out for him. There is trust and refuge: “With you, I rest and take shelter from the storms.” The Father becomes protection amid chaos, a place where the self can rest.

A particularly powerful element is the gratitude “for also being with me in my dark side.” The prayer does not seek presence only in light, but also in shadow. This points to an integrative spirituality: the darkness is not rejected, but acknowledged as a place where divine companionship still exists.

The phrase “seventy times seven” symbolically evokes boundless forgiveness. Gratitude is multiplied, reiterated, almost overflowing. The repetition at the end, the desire to listen, to learn, to rest, to love, closes the prayer in a circular movement.

Altogether, this is a prayer about listening. It does not ask for miracles; it asks for a sound. It does not demand proof; it keeps the candles burning. It does not seek power; it seeks refuge and communion. It portrays a consciousness that, instead of shouting, waits in silence for the originating phoneme that reconciles it with its source.

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